WHAT IS A LANDSCAPE? – TASK 2

Contextual Studies, Contextual Work - More, Environment
Camile Silvy, River Scene, France, 1858

PICTURESQUE, BEAUTIFUL, REFLECTION
Ansel Adams, Monolith, The face of half dome, Yosemite National Park 1927

SUBLIME, VIEWPOINT, DANGEROUS, CONTRAST
Lee Friedlander, from America by Car 2007

INSIDE/OUTSIDE, VIEWPOINT, DIVISION, PERSONAL
Richard Misrach Hazardous Waste Containment Site, Dow Chemical Corporation 1998 

REFLECTION, ABANDONED, NATURE, HIGH-KEY
Joe Deal Untitled View 1974 

AERIAL, SPACE, DEMOLITION
Robert Adams Colorado Springs, Colorado 1968 

DISTANCE, SUBURBAN, QUIET, VIEWPOINT
Mark Power 26 Different endings 2003 

DIRECTION, SUBURB, TRADDITIONAL

Martin Munkacsi, American Harpers Bazaar, December 1933

MOVEMENT, FREEDOM, SEASCAPE
Louise Dahl-Wolfe – Harpers Bazarre 1941 

SHADOWS, SPACE, CONTRAST
Norman Parkinson Anne Gunning in… India & Kashmir 1956

REFLECTION, CULTURE, FASHION, BEAUTIFUL, PICTUREQSE
Wolfgang Tillmans – Lutz and Alex sitting in the trees 1992 

FREE, NATURE, FASHION
Tim Walker Vogue Spring 2015 

COLOUR, SUBLIME, NEGATIVE SPACE, PICTURESQUE
Mel Bles Pop 2014

OUTSIDE, FASHION, WACKY
Juergen Teller Kanye, Juergen & Kim 2015

JUXTAPOSITION, SUBLIME, CELEBRITY, NATURAL

COMPARING

In both images, you can see they’re related, for they both have a car in the image, but the photographers have created a different feeling across from my perspective.

The left image by Lee Friedlander has an interesting viewpoint. Where it makes the viewer feel inside, but outside at the same time, giving the image more depth and structure. The car door is closed; it feels like a wall of division between the inside & outside landscape. However, the image on the right has a more distant viewpoint. Both of these different viewpoints produce different emotions for me. Friedlander image feels more personal and close, whereas the other image feels distant, lonely and cold.

They do have another thing in common, where they both don’t have any people in the images. They show peoples possessions and the living environment against the natural landscape that surrounds them. But by doing this, it makes it feel like a ghost town and cold. Like they are in the middle of nowhere.

The landscape that surrounds the cars looks vast and wide, especially in Robert Adams image on the right. The use of negative space in the sky enhances the isolation of this suburban town, allowing the viewer’s eye to focus on the car. Whereas Friedlander image is fill up with different subjects making it more busy and loud, rather than the other one is quiet.

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