PICKING THE FINAL 4 IMAGES + GROUP CRITIC FEEDBACK

Environment, Test Shoots, Visual Practice

For this project, I have to produce four final images of the theme environment. After choosing the location Pegwell Bay Nature Reserve, I knew the concept of what my final four images were going to be. But I wanted to produce the four, so they link together and create a story. Before I chose Pegwell Bay as a location, I got feedback from a group critic, which help me shape my journey and choices through the project.

GROUP CRITIC – WHAT DID I SHOW?

During the class crit, I took the opportunity to show my work and get a response/feedback. I showed photos from the two previous shoots (Shoot 1&2) – Pegwell Bay Nature Reserve and Deal pier. Even though these two shoot locations are very different, they sort of match because of the relation between the sea. The styles I took the images were changed as well, the Deal shoot was more street, and the Pegwell was very landscape. Even though I won’t be able to use these images together to create my four final photos, I wanted to do this shoot to find out what location and style I wanted to do and to see what the audience is leading more towards.

GROUP CRITIC – POSITIVES

Overall I had an excellent response, saying that I have an eye for the vertical images, and looking for shapes, lines etc. As I had quite a lot to show, as a combined pile of the two shoots, the students raise their hand to in which images they like. Here are some of the most liked photos –

GROUP CRITIC – FEEDBACK

Overall I could have potential images above, but the group mention that I need to stick to one area. Ethier that being Deal or Pegwell Bay. As they dont really match each other. I wanted to go to two different locations, one of the people and one that does not, in a landscape theme. I wanted to see what differences I would get and how would they turn out. They both have strong images, but I think there is more potential in the Pegwell Bay area. Also, by the reactions of my peers, they seemed to like the Pegwell Bay images more.

They also mention that I seem to take better portrait images, down to the framing and etc. So maybe focus more on that for further shoots and making them blend together for the final four images.

GROUP CRITIC – WHAT AM I GOING TO DO NEXT?

As I didn’t get many images from the Deal Pier location, I would like to go again at the same time of day and weather conditions. Focusing on the people, as it was a significant favourite for some people. But also go and do another shoot at Pegwell, as I didn’t explore the whole nature reserve and know there is more to photograph. See which ones turn out better, and round down each location to four images, and ask fellow peers which one they prefer.

Again as I mentioned before I would want to go on a day close to the previous shoots (weather), so I can mix the two shoot together if I need to. I think these shoots are an excellent start to the theme environment, and by doing two locations + receiving feedback has made my mind clearer in the direction to go in. But as the two shoots dont really match up, I can’t use both together. So I would have to choose to go down one location.

PICKING POTENTIAL FINAL 4 IMAGES FROM SHOOT 1&3

From feedback and creating a story/link between the images, these are potential final images. I’ve now got to make it down to four final images. Down to the photos but the order they go in, you want to make an impact on the audience. Perhaps putting the more impactful images in the middle or last, as a build-up of tension. I’m going to make a template of different combinations of the images, which all have a link between them. Then showing my peers and getting there feedback to make a final decision. Making sure they get the relation between them.

FINAL IMAGES MOCKUP IDEAS

As I’m not sure which images to pick, I decided to come up with a PSD mockup concept. This way, I can visually see how they look together and do they link along with the theme. I will also ask for peoples opinions, as I have stared at these images for a while now, its made me even more confused and it would be nice to get other peoples opinions.

MOCKUP 1

“I like mockup 1 because once you have gone from the car image then the smoke, your eyes are drawn through the building and leads out to the last image on the coast. The diagonal line then leads you back round to the beginning again.”

“As the set of images goes on they become more fascinating, overall this mockup is more impactful.”

With this mockup, I’ve used one image from shoot 1 and the rest from shoot 3. To me, the fire and house image is one of the most potent images, so no matter what mockup I did, I would always have this image in the set. When picking out the photos, I wanted to create a story, but also a link between them. To me, the story shows a place where someone lives, then a fire happens, and the last two images shows the remains of what is left, in a landscape style. Showing how a landscape can change over time in different environments. But also could show a journey along with this environment, from one point to another.

MOCKUP 2

“I like this one because I can see a story, but they are all different at the same time, which makes it interesting. I feel that mockup 1 has two photos that are the same thing, thats why I find this mockup more interesting”

“The last image is interesting and cool, it’s like a road going out to the sea.”

With this mockup, it doesn’t somewhat show a story of events like the previous mockup. However, all of the images link together because of the place. Image 1 and 3 links because of the sky and sea background. Image 2 and 4 links because of the line marking on the floor. But all four images do seem to fit together. From the location and the colours matching each other (blues and greens). A lot of people say they prefer this mockup because the 3rd image on mockup 1 is a bit darker than the rest.

One other image that I wanted to use was the tree reflection image below. I feel that the composition of this image I have capture exciting, and the reflection produced in the water. The shapes and colours from the tree and grass mounds break the image up nice.

The reason I didn’t put this in my mockup designs, is because it didn’t really match the rest of the images. It does with the water, nature and some of the colours, but it doesn’t link together.

FINAL IMAGES

Overall the feedback and choices of my peers and friends have been 50/50, which doesn’t help, but I got useful information explaining why they like the one they chose, which has made my decision a little easier.

What’s Left Behind

I have chosen to go with mockup 2 because I think this will best fit the theme of the environment project and the concept I was going for. The feedback did help shape my opinion, though both had a valid reason for why my peers like them. Which made it even harder to chose. I feel that this set of images and order is something different and they all link together.

I was going to pick mockup 1, because I like how they all flow, the sense of the inside/outside leading down to the beach, but I feel that the third image is too dark and similar to the rest.

While doing the mockup design, I quite liked the white border around the edge of each image, so with each image when printing they will have a white border around it; also I think it looks smarter. I have also chosen to go with size A4 paper and Lustre paper. I think the lustre paper (in between matte and glossy) will suit these images much better than glossy paper.

The title of the final four images series is called ‘What’s Left Behind’, I came up with this name through the environment I photographed. In all four photos, there’s an element of something thats been left behind. From what once used to be used by us, but now left behind for the environment to take over.

CHOICE OF LOCATIONS

Environment, Research, Test Shoots, Visual Practice

WHAT LOCATIONS DID I WANT TO FIND?

I wanted to explore my options of different locations to shoot landscapes in. Two thoughts that came to mind was a nature reserve/abandoned man-made object taken over by nature, and the other was a seaside town. I wanted to photograph two places that included people and not within a landscape location.

Thats why I chose Pegwell Bay Nature Reserve and Deal pier. Both are very different, but I wanted to experiment and do a shoot at both locations to find out which one I wanted to go with for my final four images.

WHY DID I CHOOSE THESE LOCATIONS?

Pegwell Bay is full of nature along the coastal cliffside, as you make your way around, you come across a flatten down concreted land of space. This used to be a hoverport, but now closed, and nature has taken over. But the other end of the nature reserve has abandonment as well, but it has features of people, or what use to belong to people. It shows how the landscape has changed with human impact, but how nature has overcome and grown once more through it.

Deal is a seaside town in Kent and holds lots of character. The pier is one of the main features, from its shapes, but the people. The fishermen and families that go fishing bring a sense of community. But not just the pier but the rest of the beach has other objects and families that go there to enjoy a day out. This location would have more of a street style photography, along with the landscape theme. But to photograph the people that surrounds this location can really shape what the environment is like.

One of these locations shows life and the other shows what once use to hold people possession, but now empty in their environment.

OVERALL CHOSEN LOCATION

I have chosen to go with the location of Pegwell Bay Nature Reserve. This is because of the sense of what used to be there in that environment. How the natural environment has taken over what once used to be their (e.g. hoverport). After all, the environment and nature were here before us.

But most of the images have a sense of uniqueness, for example, the image with the fire and house, that event may never happen again. Maybe in another ten years time, this location will be more eroded and will look less like it once did. Capturing this location in this point of time, (in a landscape format and with the rest of the reserve), will be different and exciting.

HISTORY BEHIND CHOSEN LOCATION

Pegwell Bay Hoverport was one of the parts of the nature reserve I heard about that was still there, but overtaken by the natural environment. When I went down to the area, my mum was trying to explain to me what it was used for and looked like. So when looking up images, I found interesting information and stories.

“This hoverport, the pad of which is still intact at Ramsgate with the approach markings and car park outlines still visible, was the home to four SRN4 Mk II craft owned by Hoverlloyd between 1968 and 1987 prior to its shutdown resulting from the merger of Seaspeed with Hoverlloyd to form HoverSpeed. The ramp had terminal buildings and an access road coming from just north of Cliff’s End. The access road still exists today but is blocked off to traffic by a barrier. The pad is accessible on foot, however, from the road or from the nearby beaches.” (Jameshovercraft.co.uk, 2014)

Incredibly, this was opened in 1969, 50 years ago and some of the painting marks, are still there. Even the light poles, fences, and the main stairs are still intact. Though its rusted and nature has grown in between, it’s refreshing to see a part of this history.

BIBLIOGRAPHY

Jameshovercraft.co.uk. (2014). Pegwell Bay Hoverport, Ramsgate (1969 – 1987):: jameshovercraft.co.uk. [online] Available at: http://www.jameshovercraft.co.uk/hover/hoverports/pegwell_bay_hoverport.php [Accessed 12 Nov. 2019].

SHOOT 3

Environment, Test Shoots, Visual Practice

PLAN

For shoot 3, I want to go back to the Pegwell Bay location, where I went for shoot 1. Shoot 1 definitely has some final images, but I wanted to go again to see what else I can capture. However doing this by starting at another end of the reserve, I will mention more below. I will also focus more on what I learnt from my research. But I have to take lighting and weather into consideration. If I want to use final images from the two different shoots, I would want them to match up as well as possible. So I would have to go on a day with little or no cloud cover, and in the afternoon, when the sun is starting to go down (2/3pm).

LOCATION

Below I have created a map of the Pegwell Bay Reserve location. The ‘x’ on the left shows where I took shoot 1 images, and the ‘x’ on the right shows where I’m planning on going. Also, the direction I’m going in from the arrow. I feel that going from the opposite side will bring a new perspective and area to photograph from.

MAP SHOWING PART OF PEGWELL NATURE RESERVE – SHOWING THE LOCATION I WENT FOR THE 1ST SHOOT AND 3RD

EQUIPMENT

As I want the shoot to be in the same style as shoot 1, I’m bringing Canon camera with a standard lens and also the 70 – 300mm as well.

CONTACT SHEET

I EDITED THEM THE SAME WAY AS THE OTHER SHOOT, SO THEY BLEND TOGETHER

RESULTS

When I got to the location, there were more clouds than I expected, but it still works, because of the scenery. I haven’t been to this side of the reserve in a few months, and I was surprised that some of the areas were bordered off with fencing and some spaces where having development done to it. Which in comparison to shoot 1, these set of images look different. But I’m glad it was different because it made the photos not look like your typical landscape photography. I think this area help, it adds texture, shapes and life/lifeless.

SHOOT 2

Environment, Test Shoots, Visual Practice

PLAN

I plan to visit a local seaside town, this is because even after my experimental shoot 1, I really enjoyed taking images of the environment around me, if thats natural or man-made. But I quite like the in-between. The seaside, even after researching the photographer Marc Wilson and Carl De Keyzer, this inspired me even more to shoot this place and idea.

My thoughts are to shoot street style, but also artistic at the same time. Looking for patterns, shapes, lines, textures, reflection and even moments of the life of the locals (fisherman).

LOCATION

My chosen seaside town is Deal, Kent, and I will be taking the images on the weekend. Deal is mostly known for its fishing and mining past. Still, some of the remanence left behind could be interesting to photograph. Especially the pier, its pier is the home of local and family fishers, this is why I’m going on a weekend because the town and pier become busier and full of life.

EQUIPMENT

I will be using a Canon camera, along with bringing two lenses. One is the standard Canon lens and the other being the 70 – 300mm lens. In the last shoot (experimental shoot 1) bringing the 70 – 300mm, did come in handy in some shots, so thats why I’ve chosen to retake the lens.

CONTACT SHEET

SCREENSHOTS OF EDITING

THIS IS THE SAME EDITING PROCESSES AS BEFORE IN THE EXPERIMENTAL SHOOT 1. I LIKE HOW THEY TURN OUT SO, I DECIDED TO TRY IT AGAIN, AS THIS LOCATION HAS A LOT MORE BLUE WITHIN IT.

RESULTS

When I got to Deal, I wasn’t sure if I made the right choice in location, but in the end, it worked out better than expected. Some of the photos above stand out more than others. I didn’t have as many final images as the Pegwell Bay shoot, but I think I managed to get some great photos. I did try to convert some into black & white, but I felt that it lost the liveliness and story of the environment that surrounds. I would want to go back to the location on a similar day, and weather and try to get more images of people, like the fisherman.

When showing this shoot to fellow peers, one of their favourites (and mine), was the boy hugging his dad. It was almost like the barrier between the rods is their space. This was taken while going off the pier and thought it would make a charming image. The images have warmth, from the boy hugging his dad, but also the bonding experience between the two shows the character of this environment.

SHOOT 1

Environment, Test Shoots, Visual Practice

PLAN

As I never really practise doing landscape photography, I wanted to go out and try to produce some images, to get an idea of what to except for further shoots. I plan to take inspiration from the photographers I research, and looking for formal elements – such as shapes, textures, lines, colour etc.

LOCATION

The location I’m planning to go to is Pegwell Nature Reserve & Hoverport. It’s rural and has a lot of life. You can get to a different height within the walk, allowing me to have a high and low point of view. The hoverport part of the reserve was close in September 1982, so most of the area has been taken over by nature and the natural environment. This is like the war structures in Marc Wilsons work.

WWW.VISIT RAMSGATE.CO.UK

EQUIPMENT

I will be using a Canon camera, along with bringing two lenses. One is the standard Canon lens and the other being the 70 – 300mm lens. I’m bringing the 70 – 300mm because some parts of the nature reserve are fenced off and I could use this zoom lens to get closer through the camera. I’m also bringing a tripod just in case I want stability/extra support.

CONTACT SHEET

SCREENSHOTS OF EDITING

I DID THE SAME EDITING TECHNIQUE FOR ALL OF THE OTHER IMAGES, BUT SOME ADJUSTMENT ARE SLIGHTLY DIFFERENT THAN OTHERS. ALSO IN SOME I TURN INTO BLACK & WHITE AFTER I DID THIS EDITING

RESULTS

Overall the experimental shoot went well, though not all of these photos are landscapes, they are involved with the environment around them. While shooting, I was looking out for texture, reflection in the water, simplistic objects, and shape etc. On the day of the shoot, I went in the late afternoon, so the lighting would be softer and dimmer. And this works out nicely with some of the images.

It was only after editing this image and went back over my research, I coincidentally noticed that it was a bit similar to Carl De Keyzer image ‘Sandycove, Ireland’.

The painted lines were some of the remains of the hoverport, which looks like that in De Keyzer image that that road was the remnant of something.

This is one of my favourite images from this shoot, the fact I got this image was by luck. I was on my way back to the car, finishing with the first shoot, and noticed this. The sky was clear, and the smoke got more prominent but also going away fast as well. So I quickly got this shot, not thinking that it was a big deal of an image. But while editing it, I began to see a story and character within it, and the use of negative space in the sky, I feel really works, drawing your eye to the smoke.

Some of the photos I took obviously didn’t work out, for example on my contact sheet it shows some images of a bridge/drain thing, with metal bars around it. I wasn’t sure if it was part of the hoverport or draining, but it was abandoned and had decayed over the years. But at the end of shooting at different angles and heights, it didn’t work out.